Showing posts with label Arabians. Show all posts
Showing posts with label Arabians. Show all posts

Wednesday, September 3, 2025

More on body shape - Orlovs and Dutch Trotters

Count Orlov with a grey trotter, sometime identified as the Orlov foundation stallion Bars I. Painted in 1890 by Nikolai Sverchkov.

In the previous post, I wrote about the central myth in early 20th-century horse breeding, which was that all 'well-bred' horses have Eastern blood. Over time, this evolved into the idea that the Arabian—erroneously credited with the creation of the English Thoroughbred—was the primary "improver" of horse breeds. This led to the tendency to designate any Eastern horse as "Arabian" and then emphasize its influence. 

One of the most obvious examples of this is the Russian Orlov. Most descriptions of the breed will credit the Arabian stallion Smetanka as the founder of the breed. This painting almost always accompanies articles about Orlovs. 

Smetanka, believed to have been painted by Gavril Vasilyev in the late eighteenth century.


Smetanka was purchased in Turkey in 1774 and traveled by land for two years to Russia. He died the year after he arrived, leaving behind only five foals. Of those, the stallion Polkan was the most influential. Polkan's dam was a buckskin Danish mare from the Frederiksborg Stud.

The Frederiksborg Stud started in 1562 with Spanish and Neapolitan horses. These were later crossed with Turkish, Moroccan, and English horses. When Count Orlov imported the mares in the late 1700s, it is likely they still retained some of the original Spanish type. 

It is still possible to see the Spanish influence in Frode, a Frederiksborger foaled in 1855. There is another picture of him here

Polkan, who was half Arabian and half Frederikborger, produced a son that could more accurately be called the foundation sire of the Orlov Trotter. That was Bars (1784-1806). To establish his Khrenovsky Stud, Count Orlov linebred the descendants of Bars. 

The dam of Bars was an imported Dutch trotting mare: a hartraver. When responding to comments made by Walter Winans about the breed in the Live Stock Journal, the head of the Russian Agricultural Department described her in this way: 

The Orloff Trotter is not originated from several Arab stallions and Danish mares, as Mr. W. Winans means, because the first so-called ancestor of the Orloff Trotter—Bars—was a son of an Arab-Danish stallion out of an imported Friesian mare. The trotting qualities were inherited undoubtedly from the Friesian, or Flemish Hartraver (Trotter), and the influence of Friesian blood cannot be omitted.  (Live Stock Journal, June 1, 1917) 

Winans, whose article prompted the official to write, was an American residing in England, but who grew up in Russia. He is perhaps better known as the sculptor who discovered the famed Arabian stallion Skowronek in Poland and imported him. 

Skowronek, shown with his fifth (and best-known) owner, Lady Wentworth of Crabbet Park

Winans' interest in Arabians might explain why he focused on Smetanka. However, just as early Morgans didn't look like Thoroughbreds, the Orlovs of his day didn't look much like Arabians. It would be more accurate to say they looked like Friesians. Or rather, like our modern conception of a Friesian horse. 

Here is the Orlov stallion Varmik (f.1894), who was used at stud during the time Mr. Winans and the official from Russia were exchanging letters in the Live Stock Journal.  


Varmik was linebred to Bars. He also carried crosses to other Dutch mares used in the program.

Here is an Orlov mare from that time. Like Varmik, her body shape is distinctly Friesian-like. 


Here is Varmik's grandsire, Projda (f.1873). 


Even when Orlovs were grey, the body type is still very reminiscent of the Friesian. 

Gromadnyj (f. 1894), showing the heavy bone, feathered heels, and an overall shape similar to the previous examples.

It's not just the historical Orlovs that have this body type. It's not hard to find in modern Friesians. This lovely colt was offered at the 2023 yearling sale at the Moscow Stud Farm #1. Even at his young age, he has noticeable feathering on his heels. (Clicking on his picture will take you to the farm's website and a video showing his trot.)

Baget (f. 2022), a grey Orlov colt pictured as a yearling and offered at auction by Moscow Stud Farm #1.

So the Hartravers were Friesians? 


Does all this mean that the references to Dutch horses and "hartravers" were Friesians? 

The Orlov is one of the most thoroughly documented breeds from the 1700s. The amount of detail kept on the horses—particularly when it comes to the origins of the mares—is quite remarkable. However, this is all before there were breed registries. Terms like "Friesian" and "hartraver" could mean different things depending on who was speaking; there were no breed registries to regulate what was meant by a name. 

Tall, black horses of the modern Friesian type have a long history in the Netherlands. They were popular for use at funerals in Europe. Writing about the different classes of horses employed in London, one author referred to them as the "Black Brigade." 

The funeral horse hardly needs description. The breed has been the same for centuries. He stands about 16 hands... Altogether there are about 700 of these black horses in London. They are all Flemish, and come to us from the flats of Holland.

The illustration that accompanies the text shows horses of the Friesian type. 
Illustration from The Horse-World of London, published in 1893

The similarity between the funeral horses and the Orlovs was noted by a traveler writing for the Country Gentleman's Estate Book in 1913. 

A highly typical feature is the shape of the croup... which is seen in several Continental breeds, and most markedly so in the old unimproved Dutch breed of horses, of which so many representatives are used in this country as hearse horses at funerals. 

Based on the appearance of the descendants of Bars, it seems likely that the "Dutch trotter" mares used by Count Orlov were of Friesian type. They would not have qualified as Friesians today. For one thing, Bars' Dutch dam was grey. At least one other Dutch mare used at the stud was also grey. But in body shape, it is easy to imagine that they resembled a modern-day Friesian.

Does this mean Justin Morgan was a Friesian?


Bars was foaled just a few years before Justin Morgan. His dam was a "Dutch mare," and Justin Morgan (the man) always claimed his stallion was a "Dutch horse." Does that mean the foundation of the Morgan breed was a Friesian? 

No, it doesn't. Written accounts dating back centuries indicate that Dutch breeders were famed for producing strong trotters. They also produced more than one type of trotter. 

There is notable similarity in the body shape of the Orlovs and the Friesians, but neither resemble Morgans.  That's because there were two different sorts of Dutch trotting horses. Writers referring to Hartravers might be speaking of either type. 


Sultan, an East Friesian, and Varmik, an Orlov, illustrate the two different body shapes "hartravers" might have. (The two horses were born a year apart.)

A German writer, commenting on the horses of East Frisia in a 1879 government report, said they were like the "Harttrabers of neighboring Holland." 

That means there were three different "Dutch horses." There was a heavy draft, a tall black ceremonial carriage horse, and a fast-trotting coach horse. It seems likely that when Justin Morgan spoke of Dutch horses, he meant that last type. 

As blood horses became fashionable, especially in English-speaking countries, stallion promoters 'discovered' suitable back stories for their animals. The Hartravers were largely forgotten, which is why the information provided by Justin Morgan's son found few proponents. The only "Dutch" horses they knew about were the heavy drafters. 






Friday, August 15, 2025

Nostalgia for Big Hair

Calypso, Stablemate customized by Sarah Minkiewicz-Breunig in the 1990s

I found the picture of Calypso (above) while I was unpacking boxes for the new studio. 

He had come to Alabama in 1993 with the rest of Sarah's show string. I had seen one of her Classic-scale horses in person and was in awe of the small details like wrinkles and veins. It was pretty revolutionary at the time. I had heard she did the same with smaller scales. I wrote and asked if she had close-ups of her Stablemates. She didn't have pictures, so she sent the models in the mail so I could see them for myself. 

There is a lot of nostalgia wrapped up in the picture. I didn't know Sarah well at the time, so the letter and Calypso (and his box-mates) were how I met one of my dearest friends. The photo itself was taken at our first home, the original Blackberry Lane. It was easy to get a clear blue sky—something 'proper' show photos had back in the day!—because our farm was surrounded by acres of cotton fields. Within a few years, those fields sprouted subdivisions instead. Last year, the little blue farmhouse was demolished to make way for a neighborhood park. 

Like our old farm, the hobby has changed dramatically since that picture was taken. I didn't know it then, but the two things that would have the most significant impact on the community, resin-casting and the internet, were ready to take off. Casting our own horses was a long-held dream, but there is a part of me that misses the time when we were all making one-of-a-kind customs. 

National Retro Vintage Month

Six years ago, Sarah encouraged everyone to get nostalgic and create a vintage-style custom model in August. Patterned after Jennifer Buxton's popular National Model Painting Month, she created National Retro Vintage Month. Almost every year since, she has created multiple models for the event. Tomorrow I'll be debuting one of her 2025 horses in a post about retro-style splattering. In the meantime, here are some of her pieces from years past. 

This is Rafiq, an Amazigh horse from the first year's event in 2020. Sarah stressed that NaReViMo horses were about rediscovering 'play' in model horse artistry. Rafiq and the other horses made in 2020 set the tone. 

Rafiq, an Amazigh stallion customized by Sarah Minkiewicz-Breunig from the Breyer Proud Arabian Stallion and Black Foundation Stallion

Here are two from 2022. The first one, Permian, was another Proud Arabian Stallion custom. As hard as it might be for younger collectors to imagine, that mold was once the epitome of Arabian type in the show ring!

Permian, Arabian stallion customized by Sarah from the Breyer Proud Arabian Stallion and the San Domingo

Nurmyrat, an Akhal-Teke stallion customized by Sarah from the Kelso and Man O'War

Sarah did this Proud Arabian Mare custom for the event in 2023.

Bint Alfajr, an Arabian mare

The next two are from NaReViMo 2024.

Bint Alfidat Alsawda, another Arabian mare from the Proud Arabian Mare mold

Farzad, Persian Arabian customized by Sarah from the Classic Arabian Stallion and the Man O'War

What all of Sarah's NaReViMo horses have in common is that they are haired. For me, that is probably the thing I most associate with the "golden era" of customizing. With only a few exceptions, my customs almost always had fiber manes and tails. 

Snow Angel, customized by Lesli Kathman (then Jeffreys) from the Stablemate Morgan Stallion in 1990

Knowing my weakness for big hair, Sarah sent temptation my way for this year's event. As I will show in a future post, there is no way I will finish my horses in the one-month time for the event. But Sarah ensured that the poor beasts weren't keeping their plastic manes and tails. Just look at all that hair! 

Samples of ramie, alpaca, and viscose for hairing model horses

I was especially taken with the ombre and mixed colors shown in the foreground. If you look at Rafiq, Sarah's first Retro Vintage, you can see the subtle mix of colors that modern fibers have. The two Proud Arabian Mare customs show the kind of drape that we just couldn't easily obtain back then. We might be "going retro," but we'll have better hair! 

Now I just have to finish some horses so I can experiment with it. 

Some sneak peeks - Clinkypaloosa!

  I have been completely absorbed in getting the new Breeds & Colors guide to press, so I am late in sharing this update on my super-se...